Sasha – ‘Vapourspace’ out Monday

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Sasha presents the intense peak-time two-tracker ‘Vapourspace’ on his own Last Night On Earth imprint…

It may have been some time since the award-winning DJ, producer and label head released his last solo material but recently he’s kept our interest firmly piqued with sharp remixes such as London Grammar’s ‘Hey Now’ and collaborations with the likes of James Teej and Joel Mull. – All awash with the invigorating hallmarks of one of electronic music most prolific producers. ksvn_option2copy
The continued musical evolution and flawless production of Sasha undoubtedly lies in his ability to balance diverse elements within one single vision. Despite such a liberal resume it’s a fluency in a signature production language over the years that has proved to be an extremely worthwhile investment.
‘Vapourspace’ marks the first in a series of new releases to come from his own revered Last Night On Earth imprint throughout 2015. As is the norm with LNOE, these releases purvey more than just the music; each release will feature the label’s acclaimed artwork, which will add a welcome dimension and deeper sense of intimacy to each EP.
With a sublime driving bassline, whispering and ebulliently distorted vocals, Sasha builds layer upon layer delivering vivid and spacious melodic synths that display an intensity and character often absent from todays music.
The second track is an ‘Intro Mix’, a rework that the producer himself envisages as ‘perfect for opening with’.  Even in a two-track release, the tracks retain a level of patience and care that artists rarely request and audiences rarely consume.; One of the many unique talents that has seen Sasha ruling dancefloors across the globe, and has gained him the reputation he carries today.
‘Vapourspace’ marks a key point in Sasha’s solo production discography, as he continues to deliver with literate depth, a style that never fails to have his audience hooked both on and off the dance floor.
Last Night On Earth release Vapourspace on 9th March 2015.

 

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